The Journal of Provincial Thought
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Obscurity Inutility
Pigasus: cogito ergo nix!
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If you are even mildly addicted to detective fiction and have devoured every golden-ager and modern hack, here are writers hewing large series of tales who work the fringes of the mystery map where it says “Here Be Dragons” (not meaning  nasty fantasy stuff, by the way):  David Fulmer is a busy contemporary writer who sets his tales in the heyday of early jazz and blues—three fine stories in New Orleans 1905-10, featuring Buddy Bolden and Jelly Roll Morton among many, Chasin’ the Devil’s Tail (2001), Jass (2005) and Rampart Street (2006) and a new story of mid-1920s Atlanta, featuring Blind Willie McTell and Co., The Dying Crapshooter’s Blues (2007).  Great stuff!  Then there is dour Swedish master Henning Mankell, who over 10 years wrote a sequence of creepy tales set in central Sweden and following the casework of detective Kurt Wallander, books often echoing the legendary Per Wähloo-Maj Sowell stories of the 1960s-70s (which see!).  The Wallander novels are:  The Faceless Killers (1991), The Dogs of Riga (1992), The White Lioness (1993), The Man Who Smiled (1994), Sidetracked (1995), The Fifth Woman (1996), One Step Behind (1997), Firewall (1998).  Sidetracked and One Step Behind generate almost unbearable suspense.   Finally, if you didn’t read them then, you need to go back to the extraordinary tales by James McClure set in the midst of apartheid-ridden South Africa, featuring the improbable (and illegal!) but effective team of Afrikaaner Lt. Trompie Kramer and Bantu Sgt. Mickey Zondi:  The Steam Pig (1971), The Caterpillar Cop (1972), The Gooseberry Fool (1974), Snake (1976), The Sunday Hangman (1979), The Blood of an Englishman (1980), The Artful Egg (1984), The Song Dog (1991).

Goooood listening:  CDs of strange but compelling music, possibly off your personal radar scopes: the pioneering art-rock of Van Dyke Parks from the mid-60s has morphed into a lifetime of experimental but highly listenable orchestral music and songs wholly undefinable—rockjazzclassicfolkcountryblues etc.  Go back and hear his first great works, Song Cycle and Discover America, from the gyrating 1960s, and his more recent work on CD, Idiosyncratic Path: The Best of Van Dyke Parks (1994), Tokyo Rose (1989), Jump! (1984) and a live retrospective concert Moonlighting (1998).  He also backs modish and exotic new singer Joanna Newsom on her latest CD, Ys (2006).  Then there is ukulele lady and singer Janet Klein, who has swept out every corner of American pop music of the 1920s-30s and performs it with rare zest, oomph and exactitude with her own first-rate hokum band, the Parlor Boys.  Her CDs are:  Come into My Parlor (1998), Put a Flavor to Love (2002), Paradise Wobble (2003), Living in Sin (2004), Oh! (2005). “Doesn’t matter if it’s sweet or hot—our Janet gives it everything she’s got!”  For more info, try www.janetklein.com or email janetrob@sbcglobal.net

Don’t you need a kaleidoscope?  Almost every adult reaches a point where they say they do, so apply to the world’s greatest kaleidoscopists, at Andrew and Robyn’s Kaleidoscopes, Kerikeri, New Zealand.  In fact, it’s worth a trip to that unparalleled beauty spot (not far from Bay of Islands and Waitangi, where modern New Zealand was born), just to see little wonder machines made of ancient kauri wood and many other materials, of all sizes and configurations, some designed as garden sculpture.  Your eyes will dazzle and your brain will reel.  To find out more, hit the old Google-box at http://www.kaleidoscopes.co.nz/ or email scopes@scopesnz.com.  But you know you should go there!

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